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The artist draws a map around these places and generates a journey through them, intervening them, modifying their visual-sound reality while performing the action of the registry, as an act of spatial performativity through the architectural dimension and ends up constituting a new residual space, a new visual and sound architecture that has nothing to do with the one conceived for the original use of space.


Once these interventions have been made and documented by means of photography, sound and video, the aim is to transfer the experience to the spectator by drawing maps, confronting the visual records with their respective sound records. These portraits will appear as windows to the exterior of the art center as symbols of the journey made by the artist while transporting the viewer to a state of sensations in which he is bombarded through his senses with a semantic sonority of the disused architectural space, the maximum architectural expression of the Sublime, a sound picnic across the road.

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